Bach Bibliography
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1. 100 chorals / Joh. Seb. Bach. EdBreitkopf 2121-4 c 1915 35, 35, 35, 35p
2. 100 Dai Ongakuka no Shogai to Geijutsu. 1925 527, 26p
3. 10 Jaar Johannespassion door Cantabile-Gent. EvenAanzoemen 26 2 1998 6-7
4. 12 kleine Präludien. SamClavComp 1 2 1856 10-22
5. 15 ausgewählte kleine Praeludien. 1906
6. 15 Grosse Choral-Vorspiele für die Orgel von JOHANN SEBASTIAN BACH. 1846 48p
7. 15 háromszólamú inventió. 1906 41p
8. 15 Inventionen und Sinfonien. SamClavComp 1 4 1856 68-110
9. 15 inventions à 2 voix -- 15 inventions à 3 voix. EdPeters [201] c 1887 39p
10. 15 inventions à 2 voix -- 15 inventions à 3 voix EdPeters 201 c 1890 63p
11. 15 Kétszólamu inventió. 1906 33p
12. 15 three-part inventions / Bach. AugenerEd 8019 1913 33p
13. 15 two-part inventions / Bach. AugenerEd 8018 1913 31p
14. 15 válogatott kis praeludium / Bach. 1906 25p
15. 15 zweistimmige Inventionen / Joh. Seb. Bach. c 1910 31p
16. 1700-Nen Zengo no Kyokai Ongaku no Janru to Yoshiki. [ce]BachKantataNoSekai 1 2001 43-66
17. 1733-nyeon, geurigo Baheu yi ilsang: 1733-nyeon misa wa sesogkantata SeoyangEumaghag 18 3 2015 105-128
18. 1750-1950. Canon 4 1950 262-267
19. 1780nendai Wien to 'Heikinritsu Klavier Kyokushu' Dai-2-Kan. Shiryo Densho kara kaimamiru fukuzatsu de unique na Juyoshi. [p]MSJ_Tokyo Feb 1997
20. 17-Seiki Shoto no Itaria Ongaku. BCJ 19 Jun 1995
21. 17th-Century Contrapuntal Theory in Germany. diss. 1965
22. 18 no Korarushu (BWV 651-668) ni tsuite. BachZenshu 10 Jan 1998 242-250 [47-55]
23. 18-Seiki Doitsu no Gengo to Bunka. [ce]KyoyoToShiteNoBach 2012 132-145
24. 18-seiki Doitsu Ongaku to Concerto Keishiki: Italia Ongaku ni Hanei sareta J. S. Bach no Hatten o Shiya ni. Bandaly 3 Mar 2004 3-19
25. '18seiki no Enso Jissen' ni yoru Piano de hiku J.S. Bach. BulMusashinoAcadM 39 2007 19-41
26. 18 short preludes / Bach. AugenerEd 8020 1913 27p
27. 18th-Century Woodwind Articulation. FluteTalk 13 8 Apr 1994 13-15, 23
28. 19-Seiki ni okeru Bach. [ce]KyoyoToShiteNoBach 2012 174-185
29. 19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. diss. 2017 123, 70, 2p
30. 19-seiki no Shuppanfu kara miru Bach Juyo no Shoyoso. [p]MSJ_Tokyo Nov 2011
31. 1er concerto / [J. S. Bach] 1934 11p + 1 St
32. 1. Johann Sebastian Bach. Von C. H. Bitter. -- Zwei Bände im Verlage von Ferdinand Schneider in Berlin. / 2. J. S. Bach's Werke, herausgegeben von der Bach-Gesellschaft im Verlage von Breitkopf und Härtel in Leipzig. I.-XIII. Band. MsTheaterM 11 31 f 5 Aug f 1865 484-487 f
33. 1re Partie du Concerto No. 1 / Joh. Seb. Bach 1902
34. 2005 FAGO Exam Bach Repertoire, Fugue only, from Prelude and Fugue in E-flat, BWV 552; Un poco allegro (final movement) from Trio Sonata No. 4 in E Major [sic], BWV 528. AmerOrganist(2) 39 3 Mar 2005 74-75
35. 200 CD Bach Meikyoku, Meiban o kiku. 2000 240, xvi p
36. 2012 Eastman Rochester Organ Initiative. AmerOrganist(2) 47 3 Mar 2013 50-53
37. 20 pièces classées par progression de difficulté / Séb. Bach 1927 55p
38. 20. yüzyil sanatinda J.S. Bach. 2002 119p
39. 24 Steps to the Great 48. Introducing Students to Contrapuntal Playing. Clavier 37 8 Oct 1998 13-15, 17-18, 20
40. 263 settings of 73 chorale melodies / Johann Sebastian Bach. 1942 104p
41. 265 Jahre Arnstädter Bach-Orgel. Zum 39. Deutschen Bachfest der Neuen Bachgesellschaft in Weimar von 25. bis 28. September 1964. Hrsg. vom Deutschen Kulturbund Arnstadt, Arbeitsgemeinschaft für musik und Bachpflege. 1964 12p
42. 2 Chorale Preludes manualiter, Allein Gott in der Höh' -- To God on High Above; Aus tiefer Noth -- In My Despair I Cry to Thee. HinrichsenEd 376a 1954 7p
43. 2e Sonate en La: piano et violon / J. S. Bach. NEdFrancMClassique 74-76 c 1908 7, 5p; 2, 2p
44. 2 Gavottes favorites, en Sol et Ré / J. S. Bach. NEdFrancMClassique 23 c 1908
45. 3. Internationale Bachwoche Wiesbaden. MKirche 50 3 1980 152-153
46. 3 Sonaten / Bach. EdPeters 213 c 1890 39p
47. 41 preludes and studies / Johann Sebastian Bach. 1910 51p
48. 4'33' to CAGE to BACH. 2014 299-309
49. 44 kleine Choralvorspiele für die Orgel von JOHANN SEBASTIAN BACH. 1845 51p
50. 4-seitai Koraru 'Watashi wa aware na Ningen' (BWV 179/6) ni taisuru arata na Kaishaku. OngakuGaku 52 1 2006 79-80
51. 4tsu no Duetto BWV 802-805 [in Clavierübung III]. BachZenshu 11 Jul 1996 224-225 [24-25]
52. 50 Jahre Alte Musik im WDR. 1954 - 2004. [ce]50JahreAlteMusikImWDR 2005 320p
53. 57. Bachfest der Neuen Bachgesellschaft in Würzburg. MKirche 52 6 1982 309-310
54. 5. Brandenburgisches Konzert. [ce]Bachfest_Salzburg 2008 106
55. 5 fug 4-glosowych na 2 trabki, róg i puzon / Johann Sebastian Bach. 1955 22p + 3 St
56. 5me Sonate en Fa: piano et violon / J. S. Bach. NEdFrancMClassique 171-173 c 1908 5, 5, 7p + St
57. 6 Duette für 2 Violinen 1901 19p
58. 6e suite française: Oeuvres originales / J. S. Bach. NEdFrancMClassique 277-278 c 1910 9p
59. 6 FUGUES / Seb. Bach 1884 25p
60. 6-kyoku no Furuto Sonata (BWV 1030-1035) ni tsuite. BachZenshu 13 Jul 1997 201-207 [62-68]
61. 6 Petits Préludes: Oeuvres originales / J. S. Bach. NEdFrancMClassique 115-116 c 1908
62. 7-tsu no Tokkata ni tsuite. BachZenshu 12 Jul 1998 212-215 [26-29]
63. 8 kleine Präludien und Fugen für Orgel: Heft II [nos.5-8]. / J.S. Bach 1931 17p
64. 8 kleine Präludien und Fugen für Orgel: Heft I [nos.1-4]. / J.S. Bach 1928 17p
65. 8 short Preludes and Fugues and other Pieces ; Bach's Smaller Organ Works. 1912
66. A Bach concerto and its performance. BritishMusicianMNews 11 12 (120): 1916 Dec 1935 269-271
67. A Bach Correspondence: Between an Englishman and an American. BritishMusicianMNews 14 5 (137): 1933 May 1937 114-116
68. A Bach family portrait? EarlyM 13 2 May 1985 164
69. A Bach Festival in Madeira. HiFiMAmer 30 12 Dec 1980 34f
70. A Bach fesztivál hangversenyeiröl. Muzsika 7 8 1964 14-16
71. A Bach-interpretacio valtozo stilusa: Goldberg variációk 1945-1978. [fs]Kroo70 1996 26-41
72. A Bach Pilgrimage. Organ 74 291 Jan 1995 41-42
73. A Bach Polyglot - The A Major Prelude & Fugue BWV 536. OrganYb 20 1989 72-87
74. A Bach Recording. BritishMusicianMNews 9 12 (96): 1892 Dec 1933 281
75. A Bach Relic. MTimes 76 1114 Dec 1935 1075-1078
76. Abbé Vogler and the Bach Legacy. 18cStud 13 2 1979-80 119-141
77. Abbé Vogler and the Study of Fugue. MTheorySpec 1 Spring 1979 43-66
78. A beginner's Bach: six short chorale preludes for organ. 1984 10p
79. Abel - Gamba. [ce]GakkiHakubutsukan 2000 33
80. Abide with me: song for voice and orchestra by J.S. Bach 1915 4 Bl
81. A boa execução em instrumentos de teclados segundo o Ensaio sobre a maneira correta de tocar teclado, de C.P.E. Bach. [cr]RioDeJaneiro2004 2004 33-36
82. About Bach. [ce]AboutBach 2008 xi, 216p
83. Abschied von Thomas-Kantor Günther Ramin, [in memoriam] Febr. 1956. KulturspiegelArnstadt Apr 1956 15-16
84. Abschriften und Autographe, Sammler und Kopisten. BachNachwelt 1 1997 27-62
85. A catalogue of a very valuable and celebrated collection of music, the whole being actually the property of William Knyvett, Esq. (Who is retiring from London,) comprising the most choice vocal and instrumental productions of the english and foreign schools, ancient and modern [...] which will be sold by auction, by Mr. W. P. Musgrave, [...] on Thursday 30th June, and Friday 1st July, 1825, [...] 1825 26p
86. A catalogue of Durham Cathedral music manuscripts. 1986 xxxiii, 271p
87. Access all areas. Strad 112 1332 Apr 2001 419
88. A Century Ago: Bach in England, I. BritishMusicianMNews 11 7 (115): 1911 Jul 1935 157-160
89. A Century Ago: Bach in England, II. BritishMusicianMNews 11 8 (116): 1912 Aug 1935 184-186
90. A Century Ago: Bach in England, III. BritishMusicianMNews 11 9 (117): 1913 Sep 1935 208-209
91. Ach, Bach?! - Ba, Chopin! 2001 174-184
92. Ach lieben Christen. Tenor Aria. Cantata No.114 / J. S. Bach 1951 7p + St
93. A Choirboy's Bach. MOpinion 80 953 Feb 1957 297
94. Acht Fugen für Klavier oder Cembalo von Wilh. Friedemann Bach. CollLitolff 2796 1937 21p
95. Acht Fugen und vier Praeludien aus Joh. Seb. Bach's Wohltemperirtem Clavier als Trios für Violine, Viola und Violoncell 1867 3 St
96. Acht kleine Präludien und Fugen / Johann Sebastian Bach. OrgWorks(Novello) 1 [rev] 1952 25p
97. Acht Silhouetten - Schattenbilder - nach Bach, Mozart, Beethoven, Mendelssohn, Chopin, Schumann, Grieg, Rubinstein componirt als Variationen über ein Original- Thema. Op. 24. 1884
98. Achtzehn Choräle. BachHandb 4 2 2008 601-621
99. A cognitive neuropsychological analysis of melody recall. ContempMReview 9 1993 97-111
100. A collection of organ music by pupils of J. S. Bach. diss. 1969 102, 89p
101. A Companion to 'The Art of Fugue' (Die Kunst der Fuge). J. S. Bach. 1931 79p
102. A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. diss. 2000
103. A comparative study of the use of ornamentation in two works by J.S. Bach in a South African context. diss. 2015 xi, 125p
104. A Comparative Study on Bach Transcriptions of Schönberg, Webern, and Strawinsky. diss. 1978 90p
105. A comparison of selected Liszt and Schumann piano transcriptions of the Paganini violin caprices: a lecture recital, together with three recitals of selected works of Brahms, Mozart, J. S. Bach, von Weber, Dukas, Schoenberg, Rachmaninov and others. diss. 1980 x, 62p
106. A Comprehensive Index of J. S. Bach Books in English. Organ 63 247 Jan 1984 36-45
107. A comprehensive study of Sigfrid Karg-Elert's use of Lutheran chorale and Gregorian chant in his organ music. diss. 2007 315p
108. A CONCERTO IN THE ITALIAN STYLE, an Overture in the French Style, and a Theme with 30 Variations. / Composed by JOHN SEBASTIAN BACH. Czerny-Bishop 5 1848 83p
109. A conductor's analysis of the Lutheran Mass in G Major and Cantata 179, 'Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei', by Johann Sebastian Bach. diss. 2001 xv, 199p
110. A conductor's guide to the E-flat 'Magnificat' of Johann Sebastian Bach. diss. 2007 326p
111. A conductor's guide to the performance of cantata no 21, 'Ich hatte viel Bekümmernis', by Johann Sebastian Bach. diss. 1979 247p
112. Acoustics for Musicians. 1918 152p
113. A C. P. E. Bach Oratorio ['Auferstehung und Himmelfahrt Jesu' to be performed at Camden Festival] MTimes 118 1609 Mar 1977 197-198
114. A Critical-Bibliographical Study of the Rinck Collection. diss. 1958
115. Actus tragicus (O tendre maitre). Contr. / J. S. Bach. NEdFrancMClassique 92 c 1908 3p
116. 'Actus Tragicus' - sono Densho to Juyo. OngakuGaku 27 1 1981 48-56
117. Adagio. 1946 3p
118. Adagio aus dem Violinkonzert (E dur) für Violine mit Pianoforte / Joh. Seb. Bach. 1901
119. Adagio aus den Goldberg Variationen / Bach. HinrichsenEd 284 1960 5p + 2 St
120. Adagio aus der ersten Sonate für Violine solo senza Basso von Joh. Seb. Bach. c 1915 5p + 1 St
121. Adagio aus der Toccata C-Dur für Orgel / Johann Sebastian Bach. EdPeters 4214 1931 3p + 1 St
122. Adagio du Concerto (A moll) / Joh. Seb. Bach. EcoleOrgueHarm(Nemerowski) 18 1897
123. ADAGIO from Organ Toccata in C major, No.1 by J. S. BACH. 1937 3p
124. Adagio from the sixth Brandenburg concerto / J. S. Bach c 1939 7p
125. Adagio / Marcello-Bach. 1937 3p + 1 St
126. Adalékok J.S. Bach szóló hegedûszonátáinak és -partitáinak elõadástörténetéhez. MagyarZene 42 3-4 Oct 2004 311-335
127. Adam Gottfried Oehme, ein Nachfolger des Orgelbauers Gottfried Silbermann. OrganYb 12 1981 104-119
128. A Day with John Sebastian Bach. 1914 56p
129. Addition, omission and revision: the stylistic changes made to Zehn Variationen ueber ein Praeludium von Chopin by Ferruccio Busoni, with three recitals of selected works by J. S. Bach, D. Scarlatti, Beethoven, Brahms, Debussy, Schumann and Liszt. diss. 1994 xi, 67p
130. A Dialogue: Pawë Szymañski and Bach. [p]BNUK_Warsaw Jul 2013
131. A Discussion of Selected Ornamentation in J. S. Bach's Flute Sonatas--Part I. NACWPIJ 29 1 Fall 1980 4-15
132. A Discussion of Selected Ornamentation in J. S. Bach's Flute Sonatas--Part II. NACWPIJ 29 2 Winter 1980-81 19-26
133. A Discussion of Selected Ornamentation in J. S. Bach's Flute Sonatas--Part III. NACWPIJ 29 3 Spring 1981 47-54
134. A Discussion of Selected Ornamentation in J. S. Bach's Flute Sonatas--Part IV. NACWPIJ 29 4 Summer 1981 15-22
135. A Divided Country - A Divided Bach: The Cantor-Kapellmeister Controversy and the Cold War. Bach 47 2 2016 1-26
136. Adorno plays the WTC: On political theory and performance. IndianaTheoryReview 27 2 Fall 2009 97-112
137. Aesthetics: Problems in the Philosophy of criticism. 1958 xv, 614p
138. [A. F. C. Kollmann and the introduction of Bach's music to England] MTimes 4 87 1 Aug 1851 240
139. A few elementary questions about Bach. MNews 42 1950 3-4, ff
140. Affective Gesture in J. S. Bach's Keyboard Music with Special Reference to Selected Works in D Minor. diss. 1995 186p
141. Affektenlehre. MGG(1) 1 1951 113-121
142. 'Affektenlehre' in the Works of J. S. Bach and C. P. E. Bach. CompostelaPrize 2 2002 113-121
143. Affektenlehre of the Baroque era and their application in the works of Johann Sebastian Bach (specifically in the Schübler Chorales) AmerOrganist(1) 51 6 Jun 1968 15-17, 28-30
144. Affettuoso: from the fifth Brandenburg Concerto / J.S. Bach SchottRecorderSer 39 1954 4p + St
145. Af kærlighed vil min frelser dø (Aus Liebe will meine Heiland sterben): Musik og kristendom i Johann Sebastian Bachs Matthæus-Passion. 1995 192p
146. A Florida Bach Festival. HiFiMAmer 29 6 Jun 1979 34f
147. Afraner-Album: Verzeichniss sämmtlicher Schüler der Königlichen Landesschule zu Meissen von 1543 bis 1875, 8422 an der Zahl. 1876 viii, 636p
148. A French overture revisited: another look at the two versions of BWV 831. EarlyM 25 1 Feb 1997 47-58, 60-61
149. A General History of Music, From the Earliest Ages to the Present Period. 1776-89
150. A General History of Music, from the Earliest Times to the Present; Comprising the Lives of Eminent Composers and Musical Writers. 1819 xii, 552; iv, 523p
151. A Goldberg-variációk különbözõ felvételei: A Bach-interpretáció változása 1945-1981 között. BachTanulmanyok 6 1999 17-34
152. Ah, God, from Heaven Look Anew ... ChoralSer(AssocAmerChorus) 140 c 1948 24p
153. Ah God, How Sad and Sick at Heart ... ChoralSer(AssocAmerChorus) 23 c 1945 22p
154. Ah How Fleeting, Ah How Futile. ... ChoralSer(AssocAmerChorus) 41 c 1946 24p
155. A Historiography of Musical Historicism: The Case of Johannes Brahms. diss. 2013 xi, 133p
156. A history of performing pitch. The story of 'A'. 2002 568p
157. Ah Lord Spare Thou this Sinner. ... ChoralSer(AssocAmerChorus) 92 c 1947 20p
158. Ai no Uta. Bach no Seigaku Sakuhin. 2017 224p
159. Air. 1919 29 St
160. Air. 2. Satz aus der D dur-Ouv. (Suite) / Joh. Seb. Bach. 1908
161. Air (auf der G-Saite) / J. S. Bach. AlteMeister(Burmester/Lier) 2 10 1907 3p + St
162. Air (auf der G-Saite) / J. S. Bach AlteMeister(Burmester/Leeuwen) 2 10 1907
163. Air (aus der D-Suite) für Violin und Pianoforte / Joh. Seb. Bach 1910
164. Air: from Suite in D BWV 1068 (Air on the G string) / J.S. Bach. 1984 4p
165. Air / J. S. Bach. 1936 3p
166. Air on a G String: [from] Suite in D major: for piano / Bach LilacSer 82 1967 2p
167. Air on the G String ... 1966
168. Akademia Bachowska w Krakowie. RuchMuzyczny(3) 30 26 1986 16-17
169. Albert Schweitzer, musician. 1994 xiv, 161p
170. Albert Schweitzer - Musiker und Musikgelehrter. OrganaAustriaca 2 1979 168-181
171. Albert Schweitzer the man and the musician: a keen appraisal of one of the greatest personalities of the twentieth century. Etude 72 1 Jan 1954 11, 63-64
172. Album. Auswahl classischer Compositionen von Scarlatti, Corelly, Sebastian u. Emanuel Bach, Händel, Haydn, Beethoven, Mozart, Clementi, Pleyel & Dussek. 1854
173. Alchemy and Counterpoint in an Age of Reason JAMSoc 51 2 Summer 1998 201-243
174. A Leipzig Christmas Music from 1685. Traditions and Transformations of Christmas before Bach's Christmas Oratorio. [p]BICB_Belfast Jul 2010
175. A lesson on 'Postillion's Air and Fugue' from Bach's 'Capriccio on the Departure of his Beloved Brother'. PianoTeacher 6 1963 8-9
176. Alexandre Pierre François Boëly, 1785-1855, ses ancêtres, sa vie, son œuvre, son temps. 1989 xiii, 627p
177. A lipcsei Bach-Versenyek magyar tanulságai. Muzsika 7 8 1964 12-14
178. A Listener's Guide to 'Die Kunst der Fuge.' [ce]Tovey MusicAnalysis Chamber 1944 75-89
179. All about Bach. MArtists 3 1 1970 19
180. Allegorical meaning of the polonoise in Bach's vocal works. [p]BCB_Logrono Jul 2002
181. Allegretto de la Sonate (C) / J. Ch. Bach. EcoleOrgueHarm(Nemerowski) 14 1897
182. Allegro ... 1961
183. ALLEGRO MODERATO from the ITALIAN CONCERTO by J. S. BACH. Classics(Ashdown) 12 c 1890 9p
184. Allegro und Prelude: zwei Sätze aus den Sonaten No. 2 u. 3 für Violine solo / Johann Sebastian Bach. 1907 16p + 1 St
185. 'Allemande faite en passant le Rhin dans une barque en grand peril'. Eine neue Quelle zum Leben und Schaffen von Johann Jakob Froberger (1616-1667) JbStaatInstMf 2003 2003 99-115
186. Allemande in E minor / C.P. Emanuel Bach 1955 4p
187. Allgemeine Geschichte der Musik von den frünesten bis auf die gagenwärtigen Zeiten; nebst Biographien der berühmtesten musikalischen Compònisten und Schriftsteller. Aus dem Englischen übers, und mit einigen Anmerkungen und Zusätzen begleitet von Christian Friedrich Michaelis. 1821-2 586, 711p
188. Allgemeine Strategien in Bachs I. Kantatenjahrgang: Einleitung. [p]BS_Dortmund Jan-Feb 2000
189. Allgemeine Strategien in Bachs I. Leipziger Kantatenjahrgang: Einleitung. DortmundBachF 3 2002 23-40
190. All Glory to the Lord. ... ChoralSer(AssocAmerChorus) 99 c 1947 36p
191. All Glory to the Lord of Lords. ... ChoralSer(AssocAmerChorus) 91 c 1947 26p
192. All Must be as God Doth Will It. ... ChoralSer(AssocAmerChorus) 45 c 1946 28p
193. Alte Bach-Funde. BachJb 84 1998 137-148
194. Alte Instrumente erwünscht. Das Leipziger Bachfest (21.-30.7.2000). Concerto 17 156 Sep 2000 13-15
195. 'Altes Zeug von mir': Carl Philipp Emanuel Bachs kompositorisches Schaffen vor 1740. BachJb 79 1993 127-204
196. Altnickol, Johann Christoph. MGG2(Personen) 1 1999 549-552
197. Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. diss. 2003 133p
198. Am 23. Februar. [Über Bach, Händel und Schütz]. AllgMlZ(3) 10 9 3 Mar 1875 129-130
199. A Master Teacher Revealed: Johann Pachelbel's Deutliche Anweisung. [ce]AboutBach 2008 3-13
200. A Meditation on Peter's Denial in J. S. Bach's Passions. [p]FMCS_NotreDame Feb 2009
201. American Bach Society Biennial Conference 26-29 April 2018 Yale University. BachNotesABS 27 Fall 2017 5-6
202. A mistempered Bach manuscript. Notes 7 3 Jun 1950 377-386
203. A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. diss. 1969 105p
204. 'A More Beautiful Era of Art.' Figurenlehre, Style Brisé and Other Baroque Elements in Brahms's Piano Compositions: Brahms's Involvement as a Scholar, Performer and Editor of Baroque Keyboard Music and the Effect It Exerted on His Compositional Style. diss 2002 v, 500p
205. A musical offering: Essays in honour of Gerard Gillen. [fs]Gillen 2017 xvi, 400p
206. A Musical-Rhetorical Vocabulary in C.P.E. Bach's Flute and Continuo Sonatas Wq. 125-129, 134 and Implications for Performance. EarlyMPerformer 25 Nov 2009 14-26
207. A Musical Slide Rule. 1938 25p
208. A musicology of performance: theory and method based on Bach's solos for violin. 2015 ii, 339p
209. A mysterious lacuna: Reconsidering the exclusion of French Baroque music and dance from the curricula. MBAmerM 20 2010 189-202
210. An Account of an Infant Musician. 1779
211. An account of the Musical Performances in Westminster-Abbey and the Pantheon, May 26th, 27th, 29th; and June the 3d, and 5th, 1784. In commemoration of Handel. 1785 vii, xvi, 139p
212. Anagrammes musicales et 'langages communicables'. RevueMcol 67 1 1981 69-79
213. Analiz nekotorych fug Bacha. [ce]Bogatyrev 1972 29-52
214. Analysing Bach's ink through a glass darkly. MTimes 139 1865 Winter 1998 37-38, 40-42
215. Analysis and Performance of the Flute Sonatas of J. S. Bach: a Sample Lesson Plan. JMTheoryPedag 5 2 1991 133-159
216. Analysis and trans-synthesis of acoustic bowed-string instrument recordings - a case study using Bach Cello Suites. 2011
217. Analytical notes for the choristers on Bach's Mass in B Minor. 1910 5 pt
218. Analytical topics in Bach's flute sonatas. diss. 2001 79p
219. Analyzing a Bach Prelude. Clavier 8 7 Oct 1969 35-38
220. An American Manuscript: Two Unknown Pieces by Bach? MTimes 95 1338 Aug 1954 428-430
221. An analysis of performance practices for the Johann Sebastian Bach chaconne based upon the Anna Magdalena Manuscript. diss. 1958 79p
222. An Analytical Comparison of the Variation Movement from Ludwig van Beethoven's Piano Sonata in E Major, Op. 109 to Johann Sebastian Bach's Aria mit verschiedenen Veranderungen, BWV 988 ('Goldberg Variations'). diss. 2013 xv, 122p
223. An annotated chronological bibliography of literature and editions of 'Das Wohltemperierte Clavier'. diss. 1975 144p
224. Ancient Poetry, Modern Music, and the Wechselgesang der Mirjam und Debora: The Meanings of Song in the Itzig Circle. Bach 47 1 Jun 2016 21-65
225. Andante from Cantata No. 74. / J. S. Bach SchottRecorderSer 60 1966 4p + 1 St
226. Andante from the second Brandenburg concerto / Joh. Seb. Bach SchottRecorderSer 42 1954 4p + 2 St
227. Andante (From the Sonata for Violin Solo in A Minor) J. S. Bach. c 1900 5p
228. Andante in F (from the Clavier Sonata in D minor) / J.S. Bach 1936 7p
229. Andreas Hammerschmidt: Geistlicher Dialogen Ander Theil. RecentResearchMBaroq 150 2008 xxv, 108p
230. Andreas Werckmeister als Musiktheoretiker. [fs]MaxSchneider60 1935 118-122
231. Andriessen and the art of composing. 2002 277-296
232. An easy sonata of Carl Philipp Emanuel Bach and its less easy embellishments. ClavichordInternat 3 1, 2 May, Nov 1999 17-19; 45-46
233. A Neglected Bach Manuscript. MReview 11 3 Aug 1950 169-174
234. An empirical study concerning terminology relating to aesthetic response to music. JResearchMEduc 46 2 Summer 1998 303-319
235. An empirical study of intonation in performances of J.S. Bach's sarabandes: Temperament, 'melodic charge', and 'melodic intonation'. OrbisMusicae 14 2007 37-76
236. A New Completion for Bach's Unfinished Harpsichord Fugue in c Minor, BWV 906/2. [fs]Jeans75 1992 113-120
237. A new light shed on the origin of Mozart's KV 404a and 405 through the recent source study of J. S. Bach's Well-Tempered Clavier II. [p]BMC_London Apr 1996
238. A newly-discovered Bach autograph from the Weimar period. [p]ABS_Yale Apr 1998
239. A newly discovered Bach autograph from the Weimar period. [p]BCB_Exeter Jul 1998
240. A newly discovered group of canons by Bach. MTimes 117 1599 May 1976 391-393
241. A new perspective on the performance of dotted rhythms. EarlyM 38 4 Nov 2010 585-588
242. A new recording to document old traditions: The restored Hildebrandt organ at Naumburg. GOArtPub 13 2012 23-27
243. An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt 2005 70-84
244. An expert-novice comparison in musical composition. PsycholM 20 2 1992 124-137
245. 'Angenehmes Wiederau, freue dich in deinen Auen'. Johann Sebastian Bachs Huldigungskantate, BWV 30a. SüdraumJ 4 1997 36-39
246. Angenehm verpacktes Wissen - Das neue Bach-Museum in Leipzig. MKirche 80 3 May-Jun 2010 227
247. Anhalt-Köthen Ko Leopold no tame no Soso Ongaku BWV 244a no Seiritsu to Parody no Shomondai. OngakuGaku 20 2 1974 98-116
248. An interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano. diss. 1997
249. An introduction to Bach. MLetters 42 2 Apr 1961 196-198
250. An introduction to the performance of Bach. A progressive anthology of keyboard music edited with introductory essays by Rosalyn Tureck 1960 24p
251. An Introduction to the Skill of Music. 1655
252. An Introduction to the Textual History of Bach's Clavierübung, Part II. MTimes 92 1299, 1300 May, Jun 1951 205-209; 260-262; (362)
253. An introduction to western music: Bach, Beethoven, Wagner, Stravinsky. 1970 xviii, 456p
254. Ankündigung eines neuen praktischen Werks für Organisten. AllgMlZ 2 Intel 12 Apr 1800 48-50
255. Anmerkungen zu Carl Philipp Emanuel Bachs Kompositionen im 'strengen Stil'. JbStaatInstMf 1997 1997 62-73
256. Anmerkungen zu den Aufführungsstätten J. S. Bachs in Weimar. BachJb 99 2013 309-318
257. Anmerkungen zu einigen Berliner Kopisten im Umkreis der Amalien-Bibliothek. JbStaatInstMf 1998 1998 143-162
258. Anmerkungen zum Kantatenrepertoire der Mügelner Kantorei im 18. Jahrhundert. SchrRMittDMges 2 2 1996 127-145
259. Anmerkungen zur Bach-Pflege im Umfeld Sara Levys. BeitrGesBachRezeption 1 2007 39-49
260. Anmerkungen zur Bach-Überlieferung in Thüringen. [p]IMK_Erfurt Jan 2000
261. Anmerkungen zur Überlieferungs- und Aufführungsgeschichte des Magnificat Wq 215 von Carl Philipp Emanuel Bach. CPEBachKonzepteSR 3 1 2001 15-29
262. Annales de la musique et des musiciens en Russie au XVIIIme siècle. Tome 1: Des origines à la mort de Pièrre III (1762). 1948 456p
263. Anna Magdalena as Bach's Copyist. [p]Women_Yale Oct 2009
264. Anna Magdalena as Bach's Copyist. [p]BNUK_Oxford Jan 2008
265. Anna Magdalena as Bach's Copyist. UnderstandingBach 2 2007 59-76
266. Anna Magdalena Bach's Büchlein (1725) as a Domestic Music Miscellany. UnderstandingBach 5 2010 87-97
267. Anna Magdalena Bach's Clavier-Büchlein and Early Modern Women's Musical Training. [p]BICB_Belfast Jul 2010
268. Anne Akiko Meyers looks at both parts of the Bach double. Strings 27 1:208 Aug 2012 27-28
269. A Note on Bach's Use of Triplets. BachSt 5 1975 109-111
270. A Note on Sigla. MonMRec 83 943 Jan 1953 16-18
271. A Note on the History of Bach's Canonic Variations. MTimes 104 1439 Jan 1963 32-33
272. Another Telemann Misattribution: Doubtfully Bred. MTimes 140 1869 Winter 1999 37-42
273. A novelty search and power-law-based genetic algorithm for exploring harmonic spaces in J.S. Bach chorales. 2014 95-106
274. Anregungen aus Bachs Kantatentexten für heutige Evengelienmusik. [cr]Eisenach1996 1999 171-178
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279. An Unknown Collection of Organ Dispositions from Bach's Circle. [p]ABS_Rochester Sep 2012
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282. A népszerü Bach. Kritika 6 Jun 1968 35-39
283. A Paradigmatic Approach to Extract the Melodic Structure of a Musical Piece. JNewMResearch 35 3 Sep 2006 221-236
284. A PASSACAGLIA, being XX VARIATIONS and GRAND FUGUE on a GROUND BASE. / [J. S. Bach] ChoralInstrFugues(Gauntlett) 3 13 1838 58-69
285. A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. diss. 2001 92p
286. A pedagogical guide to selected violin concertos by Bach, Viotti, Goldmark, and Khachaturian. diss. 1999 xxii, 286p
287. A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. diss. 1998 142p
288. A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. diss. 2006 158p
289. A Performer's Study of Three Multimovement Organ Compositions Representing Eighteenth-Century France, Eighteenth-Century Germany, and Twentiety-Century France: Boyvin, Bach and Duruflé. diss. 1995 178p
290. A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'. diss. 1998 198p
291. A phylogenetic approach to music performance analysis. JNewMResearch 41 2 Jun 2012 195-222
292. A Plaine and Easie introduction to Practicall Musicke. 1597
293. A Polonaise duet, composed for a merchant, a professor and a king. On the Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach. [p]BICB_Warsaw Jul 2006
294. A Polonaise Duet for a Professor, a King and a Merchant: On Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach. UnderstandingBach 2 2007 19-36
295. A Polonaise Duet for a Professor, a King and a Merchant: on Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach. McolToday 6 2009 90-112
296. Appendix 1--Spohr and Bach. 1959 193-195
297. Application of Baroque organ articulation concepts to a wind-band transcription of J. S. Bach's Toccata and Fugue in D Minor, BWV 565. diss. 2000 96p
298. Appreciating the music of C.P.E. Bach today. [ce]Late18cComposers_CPEB 2015 3-4
299. A practical organ accompaniment for the Christmas oratorio of Johann Sebastian Bach. diss. 1974
300. A preliminary investigation into the stringing of Swedish clavichords. DeClavicordio 4 2000 147-160
301. A quest for Bach's ideal style of organ temperament. MichaelsteinKonfBer 52 1997 45-67
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